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96 channels of Millennia HV-3D Microphone Preamplifiers used for Academy Awards broadcast

Ninety-six channels of Millennia HV-3D microphone preamplifiers were chosen for orchestra and critical program miking at the Academy Awards broadcast live from the Kodak Center in Hollywood on March 23, 2003.

Academy Awards audio was handled by Grammy and multiple Emmy Award winning recording engineer Tommy Vicari. HV-3 preamplifiers were four-way split to front-of-house, monitor, recording, and live TV mix. Says Vicari, "I have been using Millennia HV-3D microphone preamplifiers for the last few years beginning with two Big Band albums: Gordon Goodwin "Swinging for the Fences" and Sammy Nestico "This is the Moment". In addition, HV-3 preamps were part of the scoring for the motion picture "Road to Perdition" as well as the main title to the HBO hit series "Six Feet Under," says Vicari. In conjunction with the appropriate microphone, you get the highest sonic quality available. I wouldn't record without them."

Tommy Vicari recently completed scoring and mixing work for Pixars new feature animation, "Finding Nemo" and is about to begin work with composer Thomas Newman on a new Mike Nichols' project entitled "Angels in America".

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A single speaker is not the best way to create both low and high frequencies.
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96 channels of Millennia HV-3D Microphone Preamplifiers used for Academy Awards broadcast
Ninety-six channels of Millennia HV-3D microphone preamplifiers were chosen for orchestra and critical program miking at the Academy Awards broadcast live from the Kodak Center in Hollywood on March 2

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